Click here to return to our Home Page

Spotlight - October 2007
Home About Us Executive Membership Join Us Publications Seating Plans Productions PhotoGallery Outreach Projects

Download the Spotlight Newsletter for October 2007 here (PDF format, 825KB)

Il Modo d"amore
The Way of Love

Producers:
The Patrons of Queen's Hall
Music Director:
June Nathaniel
Set Designer:
Kathryn Chan
Stage manager:
Steve Seepaul
House Manager:
Linda Mentor

Admission
House $200
Balcony $150

PATRONS DISCOUNT
HOUSE $180 BALCONY $130

GROUPS 10 PERSONS AND OVER
HOUSE $175 BALCONY $125

Tickets on sale at the Queen’s Hall Box Office

The Patrons of Queen’s Hall, are producing a splendid night of opera, Il Modo d’Amore, at Queen’s Hall, St Ann’s on the 24th October, 2007. The superb voices of our very own Ronald Samm, tenor, Fritz Nothnagel-Gurley, soprano, accompanied by the celebrated and much loved Enrique Ali, will be presented. The Music Director, June Nathaniel.

The principals
Ronald Samm, TenorRonald Samm, Tenor, is a London based Trinidadian who studied voice and piano at the Guildhall School of Music, London and completed his postgraduate studies at the Royal Northern College of Music in Manchester. He is now well recognized in England as his impressive professional record shows. He has performed substantial roles in the world’s best known operas. Trinidad audiences will remember his outstanding performance in the Trinidad production of Carnival Messiah.

Fritz Nothnagel-Gurley, SopranoFritz Nothnagel-Gurley, Soprano, was exposed to music from childhood. Her grandfather Christian Nothnagel was a graduate of music from Altona, Hamburg, and was a well known music teacher in Trinidad in the early 1900s. He orchestrated many musical events at the time. Fritz Nothnagel developed a special interest in classical music and found her métier in opera. She sang as a principal performer in productions of The Magic Flute, Die Fledermaus, Carmen, The Merry Widow. This was complimented by recitals and concert performances both in Trinidad and abroad with invitations to perform in Ireland and the Caribbean.

Enrique Ali, pianist and accompanistEnrique Ali, pianist and accompanist, also presently London based, has performed with Trinidad and Tobago’s leading classical singers and instrumentalists. He obtained his Bachelor of Music Degree in Piano Performance at New York University and completed his graduate studies at Duquesne University Pittsburgh, Pennsylvania. He participated in master classes at the Academie d’Été in Nice, France. Enrique Ali also directs the all-male Diamond Chorale, and the Pro Musica Vocal Ensemble and is co-founder, with soprano Fritz Nothnagel-Gurley, of the Classics at Twilight series of open-air concerts in Trinidad.

June Nathaniel, Music DirectorJune Nathaniel, Music Director is a classically trained pianist and singer, she studied at the Royal College of Music, London and at the Staadtliche Hochschule fur Musik, Munich, Germany. She returned to England and gave recitals as a soloist and guested with different orchestras. She also toured England with the Phoenix Opera Company. On an extended visit back home she was the Music Director of the premiere production of Derek Walcott’s Joker of Seville. She returned home in 1996 and established the Key Academy. Producer, Music Director and Tutor, her most recent undertaking was the successful S’Fumature d’Amore presented at the Simon Bolivar Auditorium to full and appreciative audiences in March 2007.

Up Close and Personal

Guiseppe Verdi Ronald Samm Ludwig Van Beethoven
Enrique Ali Georges Bizet Fritz Nothnagel-Gurley

Spotlight invited the performers of Il Modo d’Amore - Ronald Samm, Fritz Nothnagel-Gurley and Enrique Ali - to tell something about themselves -
Where were you born and grown
When and how did you know you wanted to be a musician
Who is you favourite composer and why
The life of a musician is not an easy one what makes you persevere.

Ronald Samm tenor, says:
I was born and raised in St James, Port of Spain, Trinidad.
     It was after winning the Boys 16 and Under 19 solo competitions at our Music Festival in Queens Hall. Very defining moments, in that I realized I did have a talent and that it required long hours of work and study of technique, languages and probably the most challenging of all, the study of self and human nature in general.
     Best of all I really LOVE it!
     I do not have a favourite composer. I have many! I love Mozart, Beethoven, Verdi, Puccini, Wagner, Tchaikovsky, Prokoviev, Barber, Mighty Sparrow, Lord Kitchener, Black Stalin, Andre Tanker, Len Boogsie Sharp, Machel Montano, Denise Belfon, Three Canal, Earth Wind and Fire, Michael Jackson, Quincy Jones, ABBA, Natalie Cole. These are just a few. Some of these are favourites because they write well for my type of tenor voice, some are favourites when I want to get down and boogie, some are there for those moments for kicking back and relaxing. However each is as significant as the other because they have all made a huge impact in my life thus far.
     I persevere because I like to share the experience of live performing. I have always loved the study of language and it is a wonderful thing when you sing a piece of music that is written, in my opinion, just perfectly. My responsibility is to do it to the best of my ability at that time.
     It is also important to me that young black men in particular see that there is an option and it is possible to be an operatic tenor doing leading roles if you have the talent and set your mind to it!

Enrique Ali reveals
I’m a real ‘town’ boy, born in the Port of Spain General Hospital on Carnival Tuesday, early in the morning! I’ve been told that my mum’s younger sister and cousins came to see the newly born whilst dressed in their carnival costumes!
     My childhood was spent in Mt. Lambert, Balmain and Belmont, before my family moved to Diego Martin. I attended Rosary Boys RC School then St. Mary’s College, where I was part of Mrs. Lindy Anne Bodden Ritch’s school choir. I had started piano lessons when I was 8 years old. After studying music and working abroad (the USA, China, and Guadeloupe) I settled down in the POS suburb of St. Ann’s, before making my most recent move to the UK.
     Whilst still a teenager I accompanied dance classes at the Caribbean School of Dance and for a short while, the Bentley Potter School of Dance. I was fully involved in many different aspects of music making…singing, accompanying and playing solos and duets at the T&T Music Festival, and eventually directing the Diamond Chorale and the Holy Name Convent Choir.
     It was almost inevitable that I would gravitate towards a life of music making. Growing up in a house with a piano and with a grandmother who played both classics as well as lighter, more popular fare was also a great influence.
     It’s hard to name a single favourite composer, tastes change over time, and whilst, Beethoven, will always rank in the top tier of my favourites, at present the music of Bach and Brahms, and above all Schubert, comes closest to my heart.
     For me, making music is its own greatest reward. I feel quite lucky, and privileged, to be involved in such a creative and stimulating, profession.

Fritz Nothnagel-Gurley says:
I was born in Trinidad and grew up in Diego Martin.
     After schooling at Holy Name Convent, I lived in London for several years. It may have been the compulsory participation at school that could have deterred me for a while, but after being exposed to music and theatre while away, it became obvious that I was far more passionate about music than I realized. Beside music festivals here, my first serious stage performance was in opera. The combination of music and drama was a huge draw. After that I can’t remember not having the desire to perform. Music is my sedative.
     As a vocalist, I would say Verdi. Such romance, emotion and beautifully written for voice. I can’t think of an aria from Verdi that is not just wonderful to the ear and packed with pathos. It’s difficult to pull one out of the lot as the styles vary so much – I guess it depends on one’s mood. I suppose Verdi is to a singer what Beethoven is to a pianist or instrumentalist.
     Why do I persevere? Again I guess its so fulfilling; you are in your little world of expression. It is also so challenging, always something to conquer and above all hopefully to be able to share the experience with others. The performance is like my carnival, you transform yourself.
     Immediately after a performance you wake and think when is the next one? And start all over again working it out. I think once bitten by the bug it is very difficult to quit. Would I be pushing it to say it is my ‘raison d’etre'?


June Nathaniel
music director

You and the Lights and the Music

June Nathaniel, and the performers have put together an evening of music that will touch practitioners enthusiasts and the uninitiated . The music will be enchanting, sometimes familiar, sometimes new and always beautiful.

The evening begins with Verdi’s famous opera - La Traviata - the rousing Drinking Song “Let Us Drink’ and introduces us to the full cast of Ronald Samm, Fritz Nothnagel-Gurley, Enrique Ali and the Key Academy chorus. Then Ronald Samm sings one of the most beautiful arias from La Traviata - Parigi O Cara (Paris My Dear One)

Otello another famous opera by Verdi is featured in the evening’s programme. First the great love duet Gia nella notte (Already in the night every sound is stilled), then Fritz Nothnagel-Gurley sings the Ave Maria and Ronald offers the equally beautiful Ora e per sempre addio (Now and forever Goodbye).

The familiar pieces are surely Love Unspoken from Franz Lehar’s Merry Widow and of course the duet C’est Toi in the last scene of Bizet’s Carmen when Don Jose kills Carmen which ends the evening’s programme All this and more including the songs of Brahms and Schubert make for a special evening of the best of classical music.


Kathryn Chan
set designer

The setting

Kathryn Chan, visual artist, painter , curator, theatre and graphic designer, Is responsible for the setting of Il Modo d’Amore using the many facilities of the refurbished Queen’s Hall effectively and economically. Although she has been working mainly out of the Uk and USA for the past few years she has made regular visits to Trinidad with her close association as associate designer to Peter Minshall’s Carnival and Olympic Games presentations and artistic director with the Callaloo Company. In 1999 she curated The Folklore to Festival, a celebration of our cosmos, exhibition at the Museum of the City of Port of Spain.

Kathryn Chan has wide experience in theatre design, her experiences include Dance Badejo Arts, UK , Ti Jean and His Brother with Derek Walcott and the Trinidad Theatre Workshop, Dirty Reality 1&2 with the Black Mime Theatre Company in UK and Wole Solyinka’s The Lion and the Jewel with the African Players, UK.

Knolly Whiskey is one of the most experienced lighting designers working in the theatre today combines with Ms. Chan in setting the scene for Il Modo d’Amore. Learning his trade mainly in the highly demanding environment of the Trinidad Theatre scene he is now able to maximize his creativity in the theatre’s many amenities.

CALENDAR OF EVENTS

O C T O B E R

1,2,3
Best Village

4,5,6
Holistic Music School

11,12
Advertising Agencies Awards

15
Best Village

16,17
Pan in the Classroom

17,18
Best Village

19
Rhand

20,21
Steel Pan Jazz Festival

22,23
Pan in the Classroom

24
Il Modo d’Amore

31
COTT AWARDS

Welcome New Members

Mr. George Fraser
Mr. Christian A. Penco
Ms. Girlie Sulaman
Mrs. Lana Thompson
Mrs. Helen Timothy

Home ] Spotlight - May 2008 ] Spotlight - March 2008 ] Spotlight - February 2008 Special Edition ] Spotlight - December 2007 ] [ Spotlight - October 2007 ] Spotlight - August 2007 ] Spotlight - June 2007 ] Spotlight - April 2007 ] Spotlight - January 2007 ] Spotlight - December 2006 ] Spotlight - October 2006 ] Spotlight - August 2006 ] Spotlight - June 2006 ] Spotlight - April 2006 ] Spotlight - January 2006 ] Spotlight - December 2005 ] Spotlight - August 2005 ] Spotlight - June 2005 ] Spotlight - April 2005 ] Spotlight - February 2005 ] Spotlight - October 2004 ] Spotlight - August 2004 ] Spotlight - June 2004 ] Spotlight - April 2004 ] Spotlight - January 2004 ] Spotlight - November 2003 ]

SUPPORT THE ARTS AND DEVELOP A HEALTHY LIFE STYLE FULL OF LOVE AND BEAUTY!

Spotlight Newsletter
Editorial Board:

Margaret Walcott
Maritza Hee Houng
Design:
Dexter Lewis

For Membership details
please call our Secretary:
Shirley Kelsick (868) 623-7627

The Patrons of Queen’s Hall
P.O. BOX 3005
Tragarete Road Post Office
PORT OF SPAIN
TRINIDAD
Tel: (868) 624-1284
Fax: (868) 624-2619


View Visitor Stats

Website managed by Maraval Inc.
Page last updated 07 November, 2007