
Il Modo
d"amore
The Way of Love
Producers:
The Patrons of Queen's Hall
Music Director:
June Nathaniel
Set Designer:
Kathryn Chan
Stage manager:
Steve Seepaul
House Manager:
Linda Mentor
Admission
House $200
Balcony $150
PATRONS DISCOUNT
HOUSE $180 BALCONY $130
GROUPS 10 PERSONS AND
OVER
HOUSE $175 BALCONY $125
Tickets on sale at the
Queen’s Hall Box Office |
The Patrons of Queen’s Hall, are
producing a splendid night of opera, Il Modo d’Amore, at
Queen’s Hall, St Ann’s on the 24th October, 2007. The
superb voices of our very own Ronald Samm, tenor, Fritz
Nothnagel-Gurley, soprano, accompanied by the celebrated
and much loved Enrique Ali, will be presented. The Music
Director, June Nathaniel.
The principals
Ronald Samm, Tenor, is a
London based Trinidadian who studied voice and piano at
the Guildhall School of Music, London and completed his
postgraduate studies at the Royal Northern College of
Music in Manchester. He is now well recognized in
England as his impressive professional record shows. He
has performed substantial roles in the world’s best
known operas. Trinidad audiences will remember his
outstanding performance in the Trinidad production of
Carnival Messiah.
Fritz Nothnagel-Gurley,
Soprano, was exposed to music
from childhood. Her grandfather Christian Nothnagel was
a graduate of music from Altona, Hamburg, and was a well
known music teacher in Trinidad in the early 1900s. He
orchestrated many musical events at the time. Fritz
Nothnagel developed a special interest in classical
music and found her métier in opera. She sang as a
principal performer in productions of The Magic Flute,
Die Fledermaus, Carmen, The Merry Widow. This was
complimented by recitals and concert performances both
in Trinidad and abroad with invitations to perform in
Ireland and the Caribbean.
Enrique Ali, pianist and accompanist,
also presently London based, has performed with Trinidad
and Tobago’s leading classical singers and
instrumentalists. He obtained his Bachelor of Music
Degree in Piano Performance at New York University and
completed his graduate studies at Duquesne University
Pittsburgh, Pennsylvania. He participated in master
classes at the Academie d’Été in Nice, France. Enrique
Ali also directs the all-male Diamond Chorale, and the
Pro Musica Vocal Ensemble and is co-founder, with
soprano Fritz Nothnagel-Gurley, of the Classics at
Twilight series of open-air concerts in Trinidad.
June Nathaniel, Music Director is a classically trained pianist and singer, she studied at the
Royal College of Music, London and at the Staadtliche
Hochschule fur Musik, Munich, Germany. She returned to
England and gave recitals as a soloist and guested with
different orchestras. She also toured England with the
Phoenix Opera Company. On an extended visit back home
she was the Music Director of the premiere production of
Derek Walcott’s Joker of Seville. She returned home in
1996 and established the Key Academy. Producer, Music
Director and Tutor, her most recent undertaking was the
successful S’Fumature d’Amore presented at the Simon
Bolivar Auditorium to full and appreciative audiences in
March 2007.
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Up Close and Personal
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Guiseppe Verdi |
Ronald Samm |
Ludwig Van Beethoven |
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Enrique Ali |
Georges Bizet |
Fritz Nothnagel-Gurley |
Spotlight invited the performers of Il Modo
d’Amore - Ronald Samm, Fritz Nothnagel-Gurley and Enrique Ali -
to tell something about themselves -
Where were you born and grown
When and how did you know you wanted to be a musician
Who is you favourite composer and why
The life of a musician is not an easy one what makes you persevere.
Ronald Samm tenor,
says:
I was born and raised in St James, Port of Spain, Trinidad.
It was after winning the Boys 16 and Under 19 solo
competitions at our Music Festival in Queens Hall. Very defining
moments, in that I realized I did have a talent and that it required
long hours of work and study of technique, languages and probably
the most challenging of all, the study of self and human nature in
general.
Best of all I really LOVE it!
I do not have a favourite composer. I have many! I love
Mozart, Beethoven, Verdi, Puccini, Wagner, Tchaikovsky, Prokoviev,
Barber, Mighty Sparrow, Lord Kitchener, Black Stalin, Andre Tanker,
Len Boogsie Sharp, Machel Montano, Denise Belfon, Three Canal, Earth
Wind and Fire, Michael Jackson, Quincy Jones, ABBA, Natalie Cole.
These are just a few. Some of these are favourites because they
write well for my type of tenor voice, some are favourites when I
want to get down and boogie, some are there for those moments for
kicking back and relaxing. However each is as significant as the
other because they have all made a huge impact in my life thus far.
I persevere because I like to share the experience of
live performing. I have always loved the study of language and it is
a wonderful thing when you sing a piece of music that is written, in
my opinion, just perfectly. My responsibility is to do it to the
best of my ability at that time.
It is also important to me that young black men in
particular see that there is an option and it is possible to be an
operatic tenor doing leading roles if you have the talent and set
your mind to it!
Enrique Ali reveals
I’m a real ‘town’ boy, born in the Port of Spain General Hospital on
Carnival Tuesday, early in the morning! I’ve been told that my mum’s
younger sister and cousins came to see the newly born whilst dressed
in their carnival costumes!
My childhood was spent in Mt. Lambert, Balmain and
Belmont, before my family moved to Diego Martin. I attended Rosary
Boys RC School then St. Mary’s College, where I was part of Mrs.
Lindy Anne Bodden Ritch’s school choir. I had started piano lessons
when I was 8 years old. After studying music and working abroad (the
USA, China, and Guadeloupe) I settled down in the POS suburb of St.
Ann’s, before making my most recent move to the UK.
Whilst still a teenager I accompanied dance classes at
the Caribbean School of Dance and for a short while, the Bentley
Potter School of Dance. I was fully involved in many different
aspects of music making…singing, accompanying and playing solos and
duets at the T&T Music Festival, and eventually directing the
Diamond Chorale and the Holy Name Convent Choir.
It was almost inevitable that I would gravitate towards
a life of music making. Growing up in a house with a piano and with
a grandmother who played both classics as well as lighter, more
popular fare was also a great influence.
It’s hard to name a single favourite composer, tastes
change over time, and whilst, Beethoven, will always rank in the top
tier of my favourites, at present the music of Bach and Brahms, and
above all Schubert, comes closest to my heart.
For me, making music is its own greatest reward. I feel
quite lucky, and privileged, to be involved in such a creative and
stimulating, profession.
Fritz Nothnagel-Gurley says:
I was born in Trinidad and grew up in Diego Martin.
After schooling at Holy Name Convent, I lived in London
for several years. It may have been the compulsory participation at
school that could have deterred me for a while, but after being
exposed to music and theatre while away, it became obvious that I
was far more passionate about music than I realized. Beside music
festivals here, my first serious stage performance was in opera. The
combination of music and drama was a huge draw. After that I can’t
remember not having the desire to perform. Music is my sedative.
As a vocalist, I would say Verdi. Such romance, emotion
and beautifully written for voice. I can’t think of an aria from
Verdi that is not just wonderful to the ear and packed with pathos.
It’s difficult to pull one out of the lot as the styles vary so much
– I guess it depends on one’s mood. I suppose Verdi is to a singer
what Beethoven is to a pianist or instrumentalist.
Why do I persevere? Again I guess its so fulfilling;
you are in your little world of expression. It is also so
challenging, always something to conquer and above all hopefully to
be able to share the experience with others. The performance is like
my carnival, you transform yourself.
Immediately after a performance you wake and think when
is the next one? And start all over again working it out. I think
once bitten by the bug it is very difficult to quit. Would I be
pushing it to say it is my ‘raison d’etre'?

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June Nathaniel
music director
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You and the Lights and the Music
June Nathaniel, and
the performers have put together an evening of music that will touch
practitioners enthusiasts and the uninitiated . The music will be
enchanting, sometimes familiar, sometimes new and always beautiful.
The evening begins with Verdi’s famous opera - La
Traviata - the rousing Drinking Song “Let Us Drink’ and introduces
us to the full cast of Ronald Samm, Fritz Nothnagel-Gurley, Enrique
Ali and the Key Academy chorus. Then Ronald Samm sings one of the
most beautiful arias from La Traviata - Parigi O Cara (Paris
My Dear One)
Otello another famous opera by Verdi is featured
in the evening’s programme. First the great love duet Gia nella
notte (Already in the night every sound is stilled), then Fritz
Nothnagel-Gurley sings the Ave Maria and Ronald offers the
equally beautiful Ora e per sempre addio (Now and forever
Goodbye).
The familiar pieces are surely Love Unspoken
from Franz Lehar’s Merry Widow and of course the duet C’est Toi
in the last scene of Bizet’s Carmen when Don Jose kills
Carmen which ends the evening’s programme All this and more
including the songs of Brahms and Schubert make for a special
evening of the best of classical music.

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Kathryn Chan
set designer
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The setting
Kathryn Chan, visual
artist, painter , curator, theatre and graphic designer, Is
responsible for the setting of Il Modo d’Amore using the many
facilities of the refurbished Queen’s Hall effectively and
economically. Although she has been working mainly out of the Uk and
USA for the past few years she has made regular visits to Trinidad
with her close association as associate designer to Peter Minshall’s
Carnival and Olympic Games presentations and artistic director with
the Callaloo Company. In 1999 she curated The Folklore to
Festival, a celebration of our cosmos, exhibition at the Museum
of the City of Port of Spain.
Kathryn Chan has wide experience in theatre
design, her experiences include Dance Badejo Arts, UK , Ti Jean and
His Brother with Derek Walcott and the Trinidad Theatre Workshop,
Dirty Reality 1&2 with the Black Mime Theatre Company in UK and Wole
Solyinka’s The Lion and the Jewel with the African Players, UK.
Knolly Whiskey is one
of the most experienced lighting designers working in the theatre
today combines with Ms. Chan in setting the scene for Il Modo
d’Amore. Learning his trade mainly in the highly demanding
environment of the Trinidad Theatre scene he is now able to maximize
his creativity in the theatre’s many amenities.

CALENDAR OF EVENTS
O C T O B E R
1,2,3
Best Village
4,5,6
Holistic Music School
11,12
Advertising Agencies Awards
15
Best Village
16,17
Pan in the Classroom
17,18
Best Village
19
Rhand
20,21
Steel Pan Jazz Festival
22,23
Pan in the Classroom
24
Il Modo d’Amore
31
COTT AWARDS

Welcome New Members
Mr. George Fraser
Mr. Christian A. Penco
Ms. Girlie Sulaman
Mrs. Lana Thompson
Mrs. Helen Timothy